Feb 12, 2019
Want a sneak peek of future IMS episodes? Tune in to hear a bit about instruments on the fringe of the session; Scottish, Cape Breton, and Irish music connections; the long (global) reach of Celtic traditions; practice habits of traditional players and dancers; the intersection between food, drink, and traditional music; and musical connections to the Overworld!
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Special thanks to Susan Walsh, Peggy Bogardus, Nathan Weston, Gerry Corr, Brian Benscoter, and Joe Garrett for supporting this episode. And thank you to Matt Heaton for script editing and production music.
Please CLICK HERE if you can kick in to support this podcast!
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Music Heard on IMS Episode 25
all music traditional, unless otherwise indicated
Tune: “G Chimes,” from Production Music Made for Irish Music
Stories
Artist: Matt Heaton (guitar)
Tune: “My Love is in America” from Dearga
Artists:
Shannon Heaton (flute), Matt Heaton (guitar & bodhran)
Tune: “Sabai Sabai,” from Production Music Made for Irish
Music Stories
Artist: Matt Heaton (guitar)
Tune: “The B Minor Cut,” (strathspey) from
Cuts
Artist: Andrea Beaton
Tune: “A Beautiful Ending,” from Branches
Artist:
Andrew Finn Magill
Tune: “Hometown Lullaby,” from Production Music Made for
Irish Music Stories
Artist: Matt Heaton (guitar)
Tune: “Blue Dress Waltz,” from The Blue
Dress
Artists: Maeve Gilchrist (harp), Shannon Heaton
(flute)
Tune: “Aimee and Shodekeh,” from Cybertrad (by Matthew
Olwell)
Artists: Aimee Curl (bass), Shodekeh Talifero
(voice)
Tune: “Reavy’s,” from Traditional Music On Fiddle, Banjo &
Harp
Artists: Oisin Mac Diarmada, Brian Fitzgerald, Micheal
O'Ruanaigh
Tune: “Across the Border,” (by Koji Nagao) from tricolor
BIGBAND
Artist: Yuka Nakafuji and Tricolor